When Tommy Hilfiger announced his deal with Formula One World Champions Mercedes-AMG Petronas Motorsport a few weeks ago, I though it was just another sponsorship deal.
Farewell collections are always tough, the accumulated weight of a designer’s however-many-years at a label are a hard act to follow in most cases. But Christopher Bailey pulled it off at the weekend, offering up a strong street edge, an LGBTQ tribute that tapped into current colour trends, and a deft use of the brand’s…
It’s been quite a few years since ruching was the stuff of fashion trends. Without trying to sound like a fashion snob (who, me?), in recent years it’s been the go-to option for value brands looking for a low-hanging-fruit ‘sexy eveningwear’ option.
A few season ago it seemed that designers were obsessed with pushing American footballer shoulders as they all rushed to hop aboard the Vetements/Balenciaga style train. But then it all went a bit quiet.
I was getting a bit bored with the same old Valentino look a few months ago (obviously, Pierpaolo Piccioli was quaking in his boots at this) but the latest collection has made me a fan once again.
I feel like I’m being really conservative this fashion Month but I’m still reeling from those bubble dresses Anthony Vaccarello sent down the Saint Laurent runway. It’s like I was growing increasingly allergic to the more ridiculous end of the fashion spectrum and I’ve been tipped over the edge.
The fashion world still hasn’t quite made up its mind about Maria Grazia Chiuri’s tenure at Dior and it’s easy to see why. We applaud the spectacular, the grand statement, even the faintly ridiculous. A game-changing makeover like the one Alessandro Michele drove at Gucci is easy to buy into. But a less showy makeover…